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Anke Stäcker

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    • Profile by Deborah Singerman, 2016
    • 'Drift' by Judith Duquemin, 2013, Catalogue essay
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An investigation of streets with female names in Sydney

A retrospective

Good neighbours

Anke Stäcker February 18, 2022

Louisa Street, Summer Hill on Sunday, 27 September 2020

This street has a village feel to it. The first house at the corner features a Roman-style basin with an unhappy-looking lion face.

Doors are open, people are chatting at their front doors. Two friendly dogs, who were just a moment before sitting in a photogenic position on the verandah, turn around to come closer to the fence to look at me. In one front garden, a very sad stone man is playing a string instrument with one finger. There are offerings on a low brick wall, some stones and a golden wire crown. At the end of Louisa Street is a shop that was once a news agency, faded Herald Sun banners still visible. Now it is a local art school. Closed on Sundays. They have old-fashioned Anzac biscuit tins in the window.



In urban photography, street photography, story telling, female names
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I acknowledge the traditional custodians of the land upon which I walk to explore the streets of Sydney. With respect.

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