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Anke Stäcker

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    • Profile by Deborah Singerman, 2016
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An investigation of streets with female names in Sydney

A retrospective

Jane and Ann have seen a lot

Anke Stäcker November 30, 2021

Jane and Ann Street, Balmain on Monday, 24 August 2020

These streets are in an old part of Balmain with many sandstone houses and the traces of previous times tangible. It feels good to be back in a street with history after some weeks in suburbia.

In Jane Street is the tall church you can see from the Pyrmont waterfront where I often go for walks. The street is on a hill and the church appears even taller for that, a true landmark of Balmain. The church’s name is St Augustine and the foundation of the first smaller sandstone church was laid in 1848. This building is still standing and nestling next to the tall brick church which was built in 1907 to accommodate a growing population. I am reading now that the church has a most beautiful stained glass rose window which catches the morning light. I should go back there to see it. There is a Catholic Primary School named after Fr John Therry. He was appointed Parish Priest for Balmain in 1856, apparently after difficult struggles with Governor Macquarie who was supporting the Anglican church. I am reading in the history pages of the St Augustine website that Fr Therry was constantly agitating for the rights of Catholics and Aboriginal people so that he was even fired as a Catholic Chaplain at one stage, later to be re-instituted. In the early days of the Colony, Catholics were viewed with suspicion and Masses were even banned. The 1877 convent of the Immaculate Conception is also in Jane Street.

At the corner to Darling Street is the London Hotel, one of the oldest pubs in Sydney, operating non-stop since 1870. I am glad to see that it has survived the Covid19 lockdown and restrictions with a safety plan in place. The building itself is even older, it was built as a corner shop in 1857. I remember the London Hotel to be a very touristy pub, but it probably always had its congregation of locals as regular patrons. It looks as if they have regained their territory. People know each other.

At the corner of Ann Street is a café, preparing to close. A last customer and his dog are sitting at an outside table in the probably also last ray of sunshine in this corner.

The street slopes down to a park at White Bay and the empty docks. You can see some of Pyrmont and the Anzac bridge through trees. There are modest timber cottages, sandstone houses, terraces, and a sixties block of flats. I photograph bits and pieces of these places when suddenly a shabbily dressed woman with her dog comes up behind me and asks accusingly what I am photographing. I say, the lovely houses around here. “You are not allowed to do that. I watched you taking photographs of my place. They should not be on your phone.” “Ok”, I say, “which house was it? I’ll delete it.” She’s taken aback and doesn’t want to do it. Momentarily I have forgotten that nobody wants to be next to strangers in these Corona times and flick through their photos, heads bent over the phone. She could have told me which one it was, but that may be too much information if you are already suspicious. 





In urban photography, street photography, story telling, history, female names Tags psychogeography, wayfaring, flâneuse, flânerie, urbanexploration, urbanphotography, streets, sydneyaustralia, inthetimeofcorona, storytelling, history, churches, pubs, female names
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Foo dogs and dandelions

Anke Stäcker October 25, 2021

Mary, Frances, Victoria Street, Lidcombe on Friday, 31 July 2020

Lidcombe has only very few shops but a lot of churches instead. I park in John Street near the Armenian Catholic Church, across is the Art Deco Lidcombe Hotel. I walk a few steps to Mary Street past a café and a Japanese restaurant and there the shopping and entertainment part of Lidcombe ends already. It’s only 5 minutes away from the train station. In Mary Street, I find the St Joachim’s Catholic Primary School and St Joseph’s Childcare Centre, defended by a hysterically barking dog. Through a gap between buildings, I glimpse the St Andrews Ukrainian Catholic Church in the next street.

Most of the shops are on the other side of the railway track, many of them Korean. A bit further down is Victoria Street East with a few factories in low buildings and a majestic domed church, the St Ephraim Syrian Orthodox Cathedral at the corner. A few houses further down I discover that a “true blue Aussie” lives there, displaying the Australian flag and a photo of Clint Eastwood with a rifle, saying “Get out of my driveway!!!”.

There are many streets with female names in Lidcombe all over the suburb. It’s too far to walk to everyone, so I check out most of them by driving through. All a bit of the same. On my way, I pass two more churches. Later I learn that there are even more, among them a Russian Orthodox Church. 

Frances is a long street and at the end towards Parramatta Road, it looks industrial with some small neglected houses. A large family with a cute toddler is gathered in an untidy garden, next door to a plastic manufacturer. The presumed father of the family says, “The good news is…” and then something about the electricity bill. The factory buildings on the other side seem to be abandoned. They don’t have any signs and weed grows high in front. A gate is open and I want to have a look, but then stop. There is someone. In movies, such places are used for bad things. 

In urban photography, street photography, story telling, history, female names Tags psychogeography, wayfaring, flâneuse, flânerie, urbanexploration, urbanphotography, streets, architecture, sydneyaustralia, inthetimeofcorona, Lidcombe, churches, factories, Dharug
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