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Anke Stäcker

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    • Profile by Deborah Singerman, 2016
    • 'Drift' by Judith Duquemin, 2013, Catalogue essay
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An investigation of streets with female names in Sydney

A retrospective

Rocky Shores

Anke Stäcker January 19, 2022

Undine Street, Maroubra on Friday, 11 September 2020

This street runs steeply downhill towards the ocean and ends at a promenade above a rocky shore. At the corner is a pretty home with stained glass windows and a swimming pool at the front, facing the sea. The view is spectacular. It’s sunny and windy today.

Some front gardens have low-growing yellow or orange flowers with thick, fleshy leaves, which only grow on the sandy ground near the ocean. They are closing their petals early for the night while the sun is still out, at least two hours before dusk. Beyond the fence of a property is an orange variety of this flower in a rock bed. Someone has written a warning on an ugly cardboard box sitting next to it: “Do not pick the flowers”. It seems to defeat the purpose.

I walk along the path for some time until I see Maroubra beach in the distance. 

In urban photography, female names, beach Tags psychogeography, wayfaring, flâneuse, flânerie, urbanexploration, urbanphotography, streets, sydneyaustralia, inthetimeofcorona, female names, Maroubra, ocean, sea
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Always was, always will be

Anke Stäcker January 4, 2022

Adina Avenue, La Perouse,  31 August 2020

It is amazing how Sydney is blessed with so many beautiful shores and beaches without having to travel very far from the centre. Adina Avenue is on a hill, overlooking Botany Bay.

The area is named after the French Comte La Pérouse who landed here in 1788.

I read that the original name was Gooriwal, and the traditional custodians were the Kameygal people.

The first thing I notice is an old timber church, fenced in for restoration. On the fence banners, it says ‘This Church Restoration priority belongs to the Elders, who have expressed their desire to restore the Church to provide a space for healing and fostering strong social cohesion.’ I learn later that this was an Evangelical Mission Church, significant to the Aboriginal community of La Perouse as it had been a form of protection for the Aboriginal people of the area from the government’s policy of child-taking.

At the corner of Adina Avenue and Goolagong Place is a weathered community board containing a notice in faded handwriting: ‘La Perouse Discreet Aboriginal Community. Residents only.’ Down the hill from here is a bungalow. On the low brick wall surrounding it, are written the words ‘Bidjigal Land’.

The resistance leader Pemulwuy, who fought against the British occupation in the 1790s, lived in this area. I read that he belonged to the Bidjigal people who resided in Toongabbie and Parramatta.

The white settlers found the area too rough for living, but it attracted city dwellers for day trips, especially when a tram line was created in 1902. The Aboriginal residents used this fact to create a tourist industry, presenting a snake man show and selling boomerangs and ornaments made from sea shells. The most prominent shellwork artist was Emma Timbery also known as “Queen of La Perouse” or “Queen Emma”. She is the great-grandmother of Esme Timbery who is known for her shellwork of the Sydney Harbour Bridge.

During the Depression in 1929, hundreds of unemployed people moved out to La Perouse and set up camp in “Happy Valley”. Families lived in shacks made from scavenged wood, corrugated iron, flour bags and cardboard. There was no electricity or running water.

European and indigenous people lived together there. Stories tell that there was a great community spirit despite the hardships.

The Aboriginal community of La Perouse is the only one in the Sydney region that held on to its territory until today against all adversaries and threats of relocation. Land rights were finally obtained in 1984.

In urban photography, street photography, story telling, history, female names Tags psychogeography, wayfaring, flâneuse, flânerie, urbanexploration, urbanphotography, streets, sydneyaustralia, inthetimeofcorona, storytelling, history, female names, LaPerouse, BotanyBay, ocean, Pemulwuy, Bidjigal
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Phoenix

Anke Stäcker December 12, 2021

Jennifer Street, Little Bay, 31 August 2020

This street has residential houses on one side, the Botany National Park and a golf course on the other. There is a boardwalk that leads through an area that was created for the regeneration of a plant community named ‘Banksia Scrub.’ Sadly, here too was a fire and most of the scrub has burned down, new fern growing underneath the blackened branches of short trees and bushes. 

At the end is a road dividing the golf course and I walk along a little way. It’s very windy, I have to brace myself against it. I veer off on a path that goes a bit uphill. From here I can see the undulating landscape of the golf course and the ocean on the horizon.

I think, I am looking towards the side of Little Bay, where Christo and Jeanne-Claude wrapped the coast in 1969. 

In urban photography, street photography, story telling, history, female names Tags psychogeography, wayfaring, flâneuse, flânerie, urbanexploration, urbanphotography, streets, sydneyaustralia, inthetimeofcorona, storytelling, history, female names, LittleBay, ocean, flame tree, wattle tree, banksia scrub, Christo
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I acknowledge the traditional custodians of the land upon which I walk to explore the streets of Sydney. With respect.

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